Whence came the name Rampant Mandolin?
I began playing traditional Celtic music in 1989 and, within about a year, after acquiring my mandola, developed the idea of a Celtic mandolin consort consisting of mandolin, mandola, and octave mandolin, similar to the orchestral string quartet but playing Celtic music. Many modern Celtic bands use bigger mandolins, variously called cittern, bouzouki, or octave mandolin, and a few use mandolins, but rarely do those instruments stand out front as the featured instruments. Most often they are nearly lost in the mix, drowned out by fiddle, whistle, flute, and pipes, which are louder and have more sustain, or they play a supporting role, providing chordal or arpeggio accompaniment.
Wanting to bring the mandolin to the fore in Celtic music, I took my music name from the Scottish royal standard, the Rampant Lion, rampant being a heraldric term referring to an animal standing on one hind leg with one foreleg raised above the other and the head in profile. It’s an aggressive pose, and the name Rampant Mandolin implies that I mean to make the mandolin a strong voice in my music, standing out front, not supporting other instruments or lost in the mix. The word mandolin even contains the word lion — you can anagram “mandolin” to “damn lion.”